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Showing posts with label Meeting Role. Show all posts
Showing posts with label Meeting Role. Show all posts

Wednesday, February 13, 2013

Meeting Roles: Timekeeper


DUTIES AND RESPONSIBILITIES OF THE TIMER 

One of the skills Toastmasters practice is expressing a thought within a specific time. As timer you are responsible for monitoring time for each meeting segment and each speaker. You’ll also operate the timing signal, indicating to each speaker how long he or she has been talking. Serving as timer is an excellent opportunity to practice giving instructions and time management – something we do every day.

Before The Meeting

Before the meeting, contact the Toastmaster and general evaluator to confirm which members are scheduled program participants. Then contact each speaker to confirm the time they’ll need for their prepared speech.


On The Day Of The Meeting

On meeting day, retrieve the timing equipment from the sergeant at arms. Be sure you understand how to operate the stopwatch and signal device, make certain the timing equipment works and sit where the signal device can be seen by all.

The Toastmaster of the meeting will usually call on you to explain the timing rules and demonstrate the signal device.
  • Throughout the meeting, listen carefully to each program participant and signal them. 
  • Generally, Table Topics speakers should be +/- 15 seconds of allowed time; prepared speakers must be +/- 30 seconds. 
  • However, these times may vary from club to club. In addition, signal the chairman, Toastmaster and Table Topics Master with red when they have reached their allotted or agreed-upon time.
  •  Record each participant’s name and time used.
When you’re called to report by the Table Topics Master, Toastmaster or general evaluator, announce the speaker’s name and the time taken. Mention those members who are eligible for awards if your club issues awards.


After The Meeting

After the meeting, return the stopwatch and timing signal device to the sergeant at arms. Give the completed timer’s report to the secretary so he or she can record it in the minutes (if this is done in your club).

Take on this role and the new habits formed will serve you well in your private life and your career. People appreciate a speaker, friend or employee who is mindful of time frames and deadlines. (source: Toastmasters)

Timer: use the Timer's Worksheet to track times of the speakers. The worksheet also includes when to show the green, yellow and red cards or lights, depending on the length of the speech.

Meeting Roles: Speech Evaluations

TM Meeting

Evaluations are the life blood of Toastmasters meetings; they are what keep members coming back for more. New speakers depend on them for information, help and development. Long standing-speakers need them to prevent the onset of mental rust or complacency. The evaluation process separates Toastmasters International from any other organization offering public speaking coaching.

By definition, an evaluation is “the act of considering or examining something in order to judge its value, quality, importance or condition.” It is the job of an evaluator to find value in the speech, to examine the quality of its delivery, to consider its importance to the occasion and the audience, and to reflect upon its condition as part of the speaker’s development progression. Evaluators must also add some value by offering help, support and guidance to the speaker. However, there should be no use of the “C” word – Toastmaster evaluators do not criticize – ever!


“Don’t forget, the evaluation is your personal opinion."

Criticism is easy; we hear it all the time in every walk of life. However, criticism is the language of cowards. Criticism is negative. Even a critique (a term used by non-Toastmasters), being a critical analysis, almost sounds like a put-down. Evaluation on the other hand considers the value, the good aspects, and adds value with helpful suggestions for improvement.

For each project speech, the speaker must meet specific objectives and guidelines. The evaluator uses these to formulate a report. The verbal evaluation is a mini speech. In the two-to-three minutes allotted to you, you must create an opening, a main body and a conclusion. You must consider the objectives of the project and establish whether they have been met. In delivering your comments, you must choose the appropriate language, voice tone, body language and facial expressions. You must find words of praise for the good elements and words of help and encouragement in identifying the areas for improvement. And, finally, you must do this in a non-threatening, supportive way.


Use the three R’s of evaluating: Review, Reward and Respond

Review. To give the best review you can, consider the speaker’s personal goals as well as the official Toastmasters evaluation guide. While the guidelines for evaluation are beneficial, the speaker may be more interested in developing skills not listed. Before the presentation, determine with the speaker what her goals are as they relate to the project’s objectives.

In your review you should answer the question, “Did the speaker accomplish what she set out to?” If she did, publicly acknowledge that fact in the evaluation. On the other hand, if you have doubts on this aspect, you may wish to include your comments in your written evaluation or discuss them privately with the speaker, later.

If the speaker agrees that she did not achieve her purpose, she may elect to repeat the project, though this is not required by Toastmasters. You might also offer to act as a mentor (if the speaker does not already have one) to help her make modifications to her current speech or to prepare her next presentation.


Reward. Richly praise the aspects that were particularly good in the speech. Use words like exemplary, outstanding, effective, admirable, praiseworthy, pleasing or beneficial. Try to avoid overuse of vague generalities such as good, very good and excellent. It’s a good idea to explain why the aspect was worthy of note by quoting the exact words or re-enacting a gesture.

Respond. Your role as an evaluator is to respond to the speaker’s message. Not by challenging what was said, but through an analysis of what you heard, what you saw and what you felt:

  • What you heard. What words were used? Was the language descriptive and evocative? Did the speaker use ums, ahs or other fillers? Were there any grammatical goodies (alliteration or rhyming) or faux pas (“there was several…” or “some examples is….”)?
  • What you saw. Did the speaker use effective gestures and appropriate body language? What facial expressions were demonstrated? Was eye contact maintained with the audience? Did the speaker step out from, or hide behind the lectern? Did the speaker go over the allotted time?
  • What you felt. What emotions were felt by you as a listener? What images could you see in your mind? Were you moved to action? Could you empathize with the speaker? Did you experience happiness, sadness, anger or excitement – and did it seem like your reaction was what the speaker intended? Could you feel the speaker’s passion?


By far the most important aspect for you as an evaluator is to inform the speaker of the elements which, in your opinion, need to be worked on for the next assignment. You should also offer suggestions and provide examples as to how these changes can be made. At least one third of your speaking time should be devoted to dealing with the points for improvement. Failing to do so effectively negates your evaluation; you will not have met your own evaluating objectives. It is your duty to help and encourage the speaker by not only praising his good points, but also by indicating the aspects that did not work quite so well, in your opinion, and offering suggestions for ways to overcome the situation in the future.

Having composed your list of comments, now comes the time to walk to the lectern and deliver your message of support and development. But how will you deliver it? There are two trains of thought on the delivery style: the first-person style and the third-party style.


In the first person style, the evaluator addresses the comments directly to the speaker using the speaker’s name and phrases such as, “Your eye contact was directed to the left....”; “I liked your opening statement....”; “perhaps you could....”; or “I suggest you try to....” Often this approach is accompanied by direct eye contact with the speaker for 90 percent of the evaluating time. While this style may make it easier for the speaker to take note of what is being said by the evaluator (it becomes almost like a one-to-one coaching session), there are three major downsides:

1. Direct feedback in this way, particularly when talking about the points for improvement, can lead to conflict. The speaker may perceive an “I am better than you” threat from a combination of the words used and the direct eye contact, with no chance of a response as would happen in a normal coaching conversation.

2. The larger group may sense a loss of sharing. When a verbal evaluation is heard by the whole audience but is only projected directly to the speaker, everyone else feels left out of the learning element of the evaluating process.

3. The normal speaking courtesies (which are often discussed in an evaluation) are often ignored; eye contact to the whole audience, speaking to each individual, using effective body language. The process becomes a one-way conversation between the standing evaluator and the seated speakers.

Perceptions are important and should not be overlooked. To avoid the perceived conflict and “shutting out” effect, it is better to use the third-party style.

In this style the evaluator addresses the comments to the whole audience and uses phrases such as, “John had a very dramatic opening”; “Jane was able to convey humor”; “I particularly liked her alliteration”; or “Did you notice how his body language helped to convey the message?”


Eye contact with the whole audience is inevitable as the evaluator projects his message to everyone. Opponents of this style may say, “You should not talk about someone while they are still in the room” or “It is impersonal to give an evaluation in such way.” While this may be true, this method works far better for the individual and the group.

By using the third-party style, you are actually singing the praises of the speaker as you address the strengths. This makes most speakers feel good about themselves in front of their peers. You can comment on their points for improvement, and everyone will learn from your suggestions. Additionally, a person being evaluated will not perceive any threat of superiority from the evaluator and will be more receptive to the feedback as she sits and listens comfortably. She won’t feel that she’s in the hot seat.

In summary, this style has three major advantages:

1. There can be no perception of threat or superiority.
2. The evaluator is able to share the message with the whole audience.
3. Speaking courtesies are observed as the evaluator delivers the message in a natural manner using eye contact, voice modulation, body language and, probably, some gentle humor.


Don’t forget, the evaluation is your personal opinion. As long as your comments are given in a helpful and supportive manner, the speaker will accept your opinion. Similarly, whether you choose the first-person or third-party style is your personal choice.

Toastmasters develop into effective public speakers through a combination of practice and evaluation.

It is imperative to pass on the correct skills in order for our art to thrive. Using the techniques of reviewing, rewarding and responding will ensure that our speeches continue to improve and that every evaluation adds value. [source: Toastmasters International, David Hobson, DTM, is a member of Abbotsford Sun-down Toastmasters Club 965 in British Columbia, Canada. He runs training and coaching sessions on aspects of business communications.]

Meeting Roles: Poet Master


How to Learn How to Recite a Poem (By Jill Davis, eHow Contributor)

  • Read your poem out loud several times before your performance. You may not need to memorize your poem, but you should be completely familiar with it so there are no surprises about the content or questions about how to pronounce the words.
  • Pay attention to punctuation. Many poems have line breaks where there is no period or comma in place. A line break doesn't mean that your recitation should stop. Only pause if there is punctuation. This prevents a choppy performance which confuses the listeners who probably don't have the poem in front of them.
  • Read slowly. Many performers are nervous when speaking in front of a audience and want to get the reading finished quickly. For the listeners to understand the poem, it needs to be read slowly so they can hear and understand each word. Even if you think you're reading too slowly, you're probably at a good speed.
  • Speak in a natural voice when reading poetry. Most poems are meant to be read in conversational tone. Don't be too dramatic. It's all right to add a humorous voice to a funny poem, for example, but don't be overly expressive. On the other hand, don't use a monotone voice. Some expression is necessary.
  • Enunciate all of the words and speak loudly. If you're mumbling, the audience won't understand the meaning of the poem.
  • Learn the correct pronunciation and the definition of all the words in the poem. If you don't know how to say a word, the audience may not understand what the poem is trying to convey. If you don't know what the words mean, you won't be able to give them the correct emphasis. Make notes on your page if that helps.
  • Record yourself reading the poem, if possible. You may be surprised at the speed you're reading or the tone of your voice. Record the poem again and again until you are satisfied with the performance.  [Read more: How to Learn How to Recite a Poem | eHow.com ]
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